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一株、两株、三株…… 用作云南白药重要成分的七叶一枝花被盗挖18株 临安两男子被判有期徒刑并处罚金_我的网站

一 | 浙西北的群山中藏着一片被称作“浙西屋脊”的绿色秘境——清凉峰。海拔1787.4米的它,被誉为“长三角物种基因库”,现存各类动植物5326种。正因如此,有人看上了这里丰富的物种,殊不知早已踩了红线。

二 | 近日,杭州市临安区人民法院审结一起非法采挖国家重点保护野生植物案件。据了解,被告人刘某和赵某(均为化名)原计划上山采挖老鸦柿做成盆景售卖。

I first watched the movie All Wishes Come True on a sweltering evening in Beijing, the kind of night when the city's heat presses against the windows and the air-conditioning struggles.
The comedy, widely considered one of the best-reviewed Chinese animated features of the 2026 summer season, unspooled its turquoise landscapes and bureaucratic immortals with a lightness that belied the depth of its source material. By the time the credits rolled, I found myself less interested in the characters' KPI struggles than in the place they called home: Penglai - the northern tip of the Shandong Peninsula in East China, where myth and shoreline have shared the same address for more than 1,000 years.
By one Saturday morning, I was on a high-speed train heading east from Beijing, the film still playing in my head. "Don't ask where they came from," the movie's quiet refrain goes, "only where they are going; don't ask about gains or losses, only about right or wrong." It felt like decent travel advice.

Fairyland of the mortal world
Stepping off the train, Penglai announced itself gradually. The air cooled. The sea appeared, first with shimmering light, then as a broad, restless presence. The average temperature here sits at around 12.5 degrees Celsius for the whole year; winters refuse to freeze the spirit, summers decline to scorch it. Locals call the place "the fairyland of the mortal world," and for once the slogan does not feel like municipal overreach.
I began, as most pilgrims do, at Penglai Pavilion. The Song-dynasty (960-1279) complex rises from a cliff as if the rock itself had decided to become architecture. It is the only seaside member of China's four great ancient towers, and the only one that smells of salt. From its highest platform the Yellow and Bohai Seas meet in a visible seam of color, two blues arguing politely about territory. Legend insists the Eight Immortals gathered here, drank too well, and then crossed the water by their various supernatural means. Standing in the same spot, I could almost hear the clink of chalices.
The pavilion is not a museum of relics so much as a working stage for memory. The hall of Lü Dongbin, one of the Eight Immortals, still receives incense. Stone tablets carved with poems by generations of visitors lean against one another like old friends. In the afternoons, costumed performers - local "NPCs" of the Eight Immortals - wander the stone paths, joking with tourists, offering blessings, occasionally breaking into song. Children chase a character carrying a flower basket; adults pose solemnly beside Tieguai Li. The boundary between screen and shore softens.
One of the locals, who grew up within sight of the pavilion, told me this was the season for haishi - the mirages that have made Penglai famous for centuries. Sea mirages, sea mists, and horizontal fog form the three maritime wonders here, appearing without schedule and vanishing just as quickly. I waited an hour and alas saw only ordinary clouds. Still, the sense of possibility felt sufficiently satisfying.
Across the water lies the Eight Immortals Cross the Sea scenic area, laid out in the shape of a giant gourd - Tieguai Li's preferred vessel. From the highest pavilion the gardens, pavilions, and sculpted figures form a coherent narrative of ascent and departure. Wandering in the area, you will see that the water is calm, the sky the exact shade of celadon used by the animators. It was easy to understand why story-tellers kept returning to this stretch of coast: the landscape itself seems to invite transformation.
Penglai is not only myth. The old water city, China's best-preserved ancient naval base, still holds the outlines of docks where warships once waited. Nearby stand the memorials to Qi Jiguang, the Ming Dynasty (1368-1644) general who defended these shores against Japanese pirates.
The same peninsula that dreams of immortals also remembers the hard work of keeping the sea lanes open. The film's protagonists, for all their comic incompetence, share a stubborn sense of duty toward the human world. Standing among the fortifications, I felt the two strains of the place - celestial and martial - settle into balance.

Banquet from sea
Food here is another kind of story-telling. At a small restaurant in the city I ordered Penglai noodles, thin and springy, swimming in a broth that tasted of the morning's catch. Later came an "Eight Immortals banquet," each dish inspired by one of the legendary figures: a crisp fish for the crossing, a fragrant wine for the celebration afterward. The wines themselves deserve attention. Penglai sits on the same latitude as some of the world's great vineyards.
In the late afternoon light, the grapes looked almost black, and the air smelled of sea and oak. A glass of local wine, tasted on a terrace overlooking the water, carried a mineral edge that felt like the peninsula distilled.
Evenings belong to the streets. On Xianjie or Immortal Street, lights come on early. Vendors sell souvenirs of the Eight Immortals' magic instruments, small wooden crutches, fans, flower baskets. Musicians play, children run between stalls, and the smell of grilled seafood mixes with the cooler night air. It is ordinary Chinese night-market life, elevated by the knowledge that the stories being sold have been circulating for a millennium.
I spent my last morning climbing Laobeishan or Tianheng Mountain to the precise point where the two seas divide. The water on one side was a deeper yellow, on the other a clearer blue. Tourists took photographs, capturing the magical sight of the water's two different colors.
Penglai is much more than what is portrayed in the movie. The cliffs, the pavilion, the mirages, and the slow accumulation of legend were here long before any animator arrived. Yet the film has done what good popular art sometimes does: it has given a new generation a reason to look again. Walking back down the mountain that morning, I kept thinking of the line about not asking about origins, only about destinations.
Penglai's destiny, it seems, is simply to remain itself - half myth, half working harbor - while the rest of us keep arriving, notebooks open, cameras ready, half expecting to see haishi.
。两人一路开车,从临安城区往清凉峰镇石长城村方向驶去,车里还放着编织袋和铁铲。到山脚后,两人停车,背起工具徒步进入天目山—清凉峰生物圈保护区。山里的植被茂密,灌木丛中偶尔冒出几株形态特别的植物。

三 | 赵某先发现了第一株。

四 | 这株植物轮生的七片叶子托着一朵花,像一把撑开的伞,在山风中轻轻摇曳。“七叶一枝花。”刘某认出来了。二人对视一眼,心里都清楚,这东西不一般。七叶一枝花,学名重楼,国家重点保护野生植物,在民间被称为“蛇药王”,也是云南白药的重要成分。无论是采挖、运输,还是出售、收购,每一样都踩在法律红线上。

五 | “我们经常上山,这个药很有效果。反正山这么大,没人看见。”赵某抱着侥幸心理,弯下腰,徒手扒开泥土,将它连根拔起,一株、两株、三株……两人越挖越顺手,从山脚到半坡,一路挖了18株七叶一枝花。两人下山后,被当地村民发现,并报警。经鉴定,这18株七叶一枝花未造成实际损毁,最后被种回了保护区。临安区法院审理认为,两名被告人违反国家规定,非法采挖国家重点保护植物,情节严重,行为已构成危害国家重点保护植物罪,最终判处二人有期徒刑并处罚金。不少人以为山上的野生植物可以随意采挖,这是非常错误的想法。案件承办法官提醒大家:根据《中华人民共和国自然保护区条例》相关规定,禁止在自然保护区内进行砍伐、放牧、狩猎、捕捞、采药、开垦、烧荒、开矿、采石、挖沙等活动。七叶一枝花、野生天麻、野生兰花、贝母、石斛等常见山野植物,均已被列入国家重点保护名录,尤其在保护区内,寸草勿动。

六 | 同时,国家对野生动植物领域的违法犯罪实行全链条打击,采挖、收购、运输、加工、出售任一环节均追责,网络兜售同样严查。此外,这类违法行为面临刑事、民事双重追责,除刑期、罚金外,还可能被提起公益诉讼,承担生态环境损害修复费用。
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